My last two video shorts, published August 22 and September 25 form the closing tracks of six years of monthly video making

All of a sudden I came across Louis Mall's fasciating Le Feu Follet, must have picked it up via twitter and the film was to be found on Yout

We as society landed in what is known as the Middle Passage, a time of in-betweenness...

People asked me why I stole that specific sequence from Russian Ark, why exactly that dark scene?

There is a certain reasuring experience that people under pressure and stress crave for ...

There is a long stretch of time running back to a world of radio waves, vacuum tubes via greengroceries and vegetable farms near Leiden...

Some remarks on the central painting in the Oculus hall of my miniature museum...

Working on my next machine inspired by Diederik Gommers and a suède leather right hand glove that I found at the beach...

Some peripheral thoughts on my February video and recent political collage

The workings of the World Clock and the mechanics behind the facade...

Back to my outlandish cuckoo clock without cuckoo

Positioning the year 2020, looking back, evaluate life's progression...

Last week I found a piece of basalt in the flood line, eight centimeter tall, black as the night and lovely triangular shaped...

On creating this or that, mask-wearing rituals and the sea

Tarkovsky's birth place, Stalin's 5 years plan and how Durer's solid landed in the new machine.

Albrecht Dürer, Armando, melancholia and Corona...

From ancient Greek ἀξίωμα “what is thought fitting”...

The science is settled...

We need art in order not to die of too much truth...

My daily walk always follows the same track...